I started to work with polyurethane foam trying to find a solution to make light sculptural objects of large dimensions. The creation process exploits the self-generative quality of the foam, source of countless formal variations. The expansive nature of this material makes one think of the state of perpetual expansion of our physical and mental universe.

 

Later, I put light inside my sculptures so as to create the impression of the negative. And that is how this experience became a series, called Body of Light, linked to a kind of pantheistic spirituality, intrinsic of all the living as well as the non-living.

My project, Body of Light ended up as a research on the representation of the subtle body and, more generally, of the invisible in sculpture.